James Joyce Quarterly, 47 1 , pp. Race and reading: a conclusion; Notes; Index. The Cambridge Hisotry of Postmodern Literature. General Introduction to The Cambridge History of Postmodern Literature. From within the academy, the process of unravelling began as early as the 1860s and gained momentum through the late nineteenth and early twentieth centuries. But Metchnikoff was also a vociferous opponent of scientific racism. Introduction to Postmodern Literature and Race.
Race, Platt claims, is a central theme for Joyce, both in terms of the colonial and post-colonial conflicts between the Irish and the British, and in terms of its use by the extreme right. Eliot, Percy Wyndham Lewis and D. Len has been funded by the British Council and Eramus to participate in the international dissemination of scholarship and by a number of external agencies to work on research projects. In 1998, Platt analysed a specific aspect of Joyce's Irish politics in Joyce and the Anglo-Irish: A Study of Joyce and the Literary Revival. Using original archival research and detailed close readings, he outlines Joyce's literary response to the racial discourse of twentieth-century politics.
The reader can thus look directly from text to notes and back again, with no need to consult separate glossaries or other listings. They simultaneously explore the impact that Joyce's own culture, both high and low, had on his art, while assessing Joyce's reciprocal influence on our own contemporary culture. Cambridge: Cambridge University Press, pp. In: Len Platt; Tobias Becker and David Paul Linton, eds. Joyce and the Anglo-Irish Revival: The Triestine Lectures. In: Len Platt; Tobias Becker and David Paul Linton, eds. Research Students Len has had wide experience of examining and supervision at postgraduate research levels.
Platt's account is the first to position Finnegans Wake in precise historical conditions and to explore Joyce's engagement with European fascism. But the essential thrust dismisses race purity and the Celtic myth. Above all, Lewis, in some ways the most complex and interesting artist of this generation, gave credibility to absurd and dangerous right-wing ideas over a period of some fifty years. She gave both a name and renewal to all the peoples of Europe. This is a groundbreaking study of the century's most internationally influential fiction writer, and of his powerful representations of the cultural dynamics of race, power, and empire.
James Joyce Quarterly, 29 2 , pp. Musical Comedy on the West End Stage, 1890-1939. Platt's account is the first to position Finnegans Wake in precise historical conditions and to explore Joyce's engag Len Platt charts a new approach through one of the great masterpieces of twentieth-century literature. Clearly, being Irish always meant something terribly important to Joyce, and there were times, especially in the early years, when the sheer currency of race categorisation proved irresistible. Platt's account is the first to position Finnegans Wake in precise historical conditions and to explore Joyce's engagement with European fascism. Race identity here becomes not a matter of biology but of culture. Platt's account is the first to position Finnegans Wake in precise historical conditions and to explore Joyce's engagement with European fascism.
Journal of the Association for the Study of Australian Literature, 8, pp. Review of the hardback: 'Platt carves out a fascinating new area of enquiry, and in so doing offers an excitingly fresh 'European reading of the Wake'. Madame Blavatsky and Theosophy in 'Finnegans Wake': An Annotated List. Writing London and The Thames Estuary 1576-2016. The Voice of Esau: Culture and Nationalism in 'Scylla and Charybdis'.
Cambridge: University of Cambridge, pp. Joyce, Race and Finnegans Wake offers a valuable new reading of a largely uncharted area of Joyce's last work. In: Len Platt and Sara Upstone, eds. By the 1920s, however much race classification remained a reality in the public mind, it was clearly possible to think in terms of new versions of modernity where ideas of race and nation became deeply problematised. Race accounted for social inequalities by attributing them to nature.
Teaching Len has taught on a wide range of undergraduate modules including Moderns, The Novel, Nation States, The Making of the Modern World, Popular Culture in Practice, the History and Philosophy of the Curriculum and the 3 rd year Dissertation. Ulysses 15 and the Irish Literary Theatre. Archaeology, anthropology, history, palaeoanthropology and sociology: all became crucially defined by race. Joyce Race And Finnegans Wake Platt Len can be very useful guide, and joyce race and finnegans wake platt len play an important role in your products. Theatre Journal, 65 1 , pp.
In: Len Platt; Tobias Becker and David Linton, eds. At the same time, Finnegans Wake takes a political position on race, and it is here that Joyce becomes much at odds with his writer contemporaries. The latter episode often features in postcolonial accounts as the high point of a complex interaction with forms of cultural nationalism that is central to the Ulysses project as a whole. Linguistics had a central role in this respect, but hardly an exclusive one. He is also a leading expert on early musical theatre and the exchange and transfer practices that made it a characteristic culture of conservative popular modernism at the fin de siècle.
His major interest is in the politics of text and the ways culture performs in politically strategic ways. Celt, Aryan and Teuton; 4. Quite often, these were very much on the left, as was J. He has lectured widely in Britain, the Republic of Ireland and Europe. This political analysis of Finnegans Wake will change the way this key modernist text is read, and will provide a fresh and fascinating historical context for all scholars of Joyce and Modernism. The primary interest, however, is not in Irish, Anglo-Irish and British identities per se but in a race history that operates on a larger scale and thus places Joyce in a wider Western context, and a very different political environment.